Today on Museum Quick Bites we’re taking a closer look at Penelope (1903) by Franklin Simmons. Carved from marble, Simmons’ sculpture is a lovely portrayal of this ancient Greek shero.
Today on Museum Quick Bites we’re kicking off the month of April with a stroll along Gustave Caillebotte’s, Paris Street; Rainy Day (Rue de Paris, Temps de Pluie; 1877). This snapshot of late 19th century Paris, captures a busy intersection in the newly modernized City of Light. Considered radical at the time for its seemingly asymmetrical arrangement and cropped figures, Caillebotte’s painting is filled with delightful details.
Happy Friday! Today on Museum Quick Bites we’re celebrating Women’s History Month with artist Elizabeth E. Copeland and her dazzling Ciborium (c1915). Handcrafted from silver this gorgeous goblet was made to hold Eucharistic bread used in the Christian church.
Happy Friday! Today on Museum Bites we’re shaking things up and taking a look at antique sugar and spice containers. From salt cellars to muffineers this delightful collection will tantalize your senses. Join me as we shake, sift, sniff, and savor our way through the Mughal Empire to the American Colonies. We begin in India…
Today on Museum Quick Bites we’re diving headfirst into a whimsical wave of color. Series I-No. 3 (1918) by Georgia O'Keeffe features a lush, multi-colored swirl that brings to mind candy canes and lollipops. Its Willy Wonka vibe conjures up a world of pure imagination.
Happy Friday! Today on Museum Quick Bites we’re stepping into Jean-Leon Gérôme’s, The Carpet Merchant (c1887) on display at the Minneapolis Institute of Art. Rich in detail with vibrant colors, this gorgeous painting transports us to the Court of the Rug Market in Cairo.
Winter has gotten real here at Museum Bites, and in defiance of the subzero temperatures and deep snow, we’re going to sample some spring bling. So grab a warm brew and settle in as we wind the clock back to the late 1800s and the origins of the squash-blossom necklace.
Today on Museum Quick Bites we’re celebrating Presidents’ Day with an up close and personal look at Jean-Antoine Houdon’s terracotta bust of George Washington. Sculpted in the late 1780s, Houdon portrays a pensive, post-Revolutionary War Washington. Houdon’s goal was to depict Washington as a noble, Roman statesman, hence the toga he added to the sculpture. But for a man who eschewed pomp and displays of ego, who would go on to insist on serving only two terms in office, Washington balked at these lofty portrayals.
Today on Museum Quick Bites we’re kicking off February and Black History Month with a masterpiece. The Death of Cleopatra (1876) by Edmonia Lewis is a haunting portrayal of the Egyptian queen just moments after her suicide.