A little taste of history, one morsel at a time.
Today on Museum Quick Bites we’re kicking off July with a closer look at Nocturne in Black and Gold: The Falling Rocket (1875) by James McNeill Whistler. Cast against a deep, blue-black sky, Whistler’s painting captures a fleeting moment on a festive, firework-filled night. Like the firecrackers he painted, Whistler lit up the art world with his brilliant artwork and acerbic wit. Let’s zoom in and take a quick tour.
Today on Museum Quick Bites we’re kicking off the month of April with a stroll along Gustave Caillebotte’s, Paris Street; Rainy Day (Rue de Paris, Temps de Pluie; 1877). This snapshot of late 19th century Paris, captures a busy intersection in the newly modernized City of Light. Considered radical at the time for its seemingly asymmetrical arrangement and cropped figures, Caillebotte’s painting is filled with delightful details.
Happy Friday! Today on Museum Quick Bites we’re stepping into Jean-Leon Gérôme’s, The Carpet Merchant (c1887) on display at the Minneapolis Institute of Art. Rich in detail with vibrant colors, this gorgeous painting transports us to the Court of the Rug Market in Cairo.
Today on Museum Bites we’re celebrating power couples. From a royal abduction to religious reformists these dynamic duos have inspired a cult, scandalized the church, and went so far as to start a war. Join me for a brief look at the lives and loves of three legendary couples. We begin by rolling back the clock to ancient Greece…
Today on Museum Bites we’re celebrating power couples. From a royal abduction to religious reformists these dynamic duos have inspired a cult, scandalized the church, and went so far as to start a war. Join me for a brief look at the lives and loves of three legendary couples. We begin by rolling back the clock to ancient Greece…
The wild and vivid paintings sent shockwaves through the art world. These Anonymous Society upstarts were deemed a sloppy and crude bunch.
The wild and vivid paintings sent shockwaves through the art world. These Anonymous Society upstarts were deemed a sloppy and crude bunch.
A tour through this literal boneyard is a chilling adventure. The musty air, shadowy tunnels, constant drip drip of water, and stacks upon stacks of neatly arranged human bones are enough to give the most daring a serious case of the willies.
Monsieur Guy and friends most likely swooned in horror when a decade after the Eiffel Tower was built, city engineers had it painted yellow.
Museum Bites 