Dear Readers – COVID-19 has us living in a surreal and difficult time. Despite my best efforts to proceed in this new normal of sheltering in place and social distancing, I’m having a hard time concentrating. So I’m going to switch things up. Instead of my usual format, I’m going to offer Museum Quick Bites. These weekly snippets will focus on a single piece of art and artist. Our theme for the next several weeks will be scenes of comfort, something I think we all need right now. Stay safe. – CJ Verb
Today on Museum Bites we’re embarking on a whirlwind tour of Northern Italy. Over the next few weeks, we’ll soar high above the Duomo in Siena, meander through marble-filled museums in Firenze, zip through Rome on a Vespa, and pick through some decorative bones along the way. We begin this first of a four-part series with some Uffizi favorites.
Despite taking a beating, the no-nonsense nail keeps it all together. Whether common or finishing this simple fastener props up our art, keeps our homes and buildings intact, fosters community, provides a unique form of acupressure, and gets hammered into clever forms of art. Join me for a brief bite into the unassuming nail.
Today on Museum Bites we’re wrapping up our ramble through the Minneapolis Institute of Art (Mia) with an eclectic mix of favorites. Join me as we peace out with saints, dance with a modern icon, and sample some African jewels. We begin by rolling back the clock to the Middle Ages…
Less glitzy than cousins gold and silver, good old third place bronze could be relied on to get the job done.