Yay it’s May! And today we’re celebrating on Museum Quick Bites with a moody self-portrait (1912) by Otto Dix. On display at the Detroit Institute of Arts (DIA), Dix’s somber selfie pays homage to German portrait painters from the Renaissance. Let’s dig into the details…
Today on Museum Quick Bites we’re taking a closer look at, Nouvart Dzeron, A Daughter of Armenia (1912) by Ralph Elmer Clarkson. On display at the Art Institute of Chicago, this gorgeous painting features art student, Nouvart Dzeron, striking a proud pose in her traditional Armenian clothing.
Today on Museum Quick Bites we’re kicking off the month of April with a stroll along Gustave Caillebotte’s, Paris Street; Rainy Day (Rue de Paris, Temps de Pluie; 1877). This snapshot of late 19th century Paris, captures a busy intersection in the newly modernized City of Light. Considered radical at the time for its seemingly asymmetrical arrangement and cropped figures, Caillebotte’s painting is filled with delightful details.
Happy Friday! Today on Museum Quick Bites we’re stepping into Jean-Leon Gérôme’s, The Carpet Merchant (c1887) on display at the Minneapolis Institute of Art. Rich in detail with vibrant colors, this gorgeous painting transports us to the Court of the Rug Market in Cairo.
Today on Museum Quick Bites we’re finally leaving 2020 behind and crossing over into a hopefully happier, sunnier new year. To celebrate, we’re taking a closer look at Claude Monet’s Waterloo Bridge, Sunlight Effect (1903).
Today on Museum Quick Bites we’re serving up a slice of Caged Pie (1962) by Wayne Thiebaud. On display at the San Diego Museum of Art, this sweet piece is a still life with a modern twist.
Today on Museum Quick Bites we’re taking a solemn step forward with Francisco de Zurbarán’s, Saint Francis of Assisi in His Tomb (c1630-1634). Cast in shadow, this haunting piece features a hooded Saint Francis holding an upturned skull. Barefoot he strides toward us, as if to step off the canvas.