Wildfire: Quick Bite

Today on Museum Quick Bites we’re kicking off February and Black History Month with a masterpiece. The Death of Cleopatra (1876) by Edmonia Lewis is a haunting portrayal of the Egyptian queen just moments after her suicide.

Crossing Over: Quick Bite

Today on Museum Quick Bites we’re finally leaving 2020 behind and crossing over into a hopefully happier, sunnier new year. To celebrate, we’re taking a closer look at Claude Monet’s Waterloo Bridge, Sunlight Effect (1903).

Ice, Ice Baby: Reboot

Happy Friday! Today on Museum Bites we’re slipping and sliding into winter with a look at the history of ice skates. From ancient waterways to the Olympic Games, ice skates have played a fundamental role in our transportation, recreation, and sports. Join me for a brief twirl around the rink and learn how the ice skate was transformed from a humble pair of bones to hi-tech blades. We begin by dialing the clock back to the Bronze Age…

Hear Me Roar: Reboot

Today on Museum Bites we’re taking a closer look at some badass women. This colorful cast includes a champion of women’s health, a defiant ruler, and a steadfast and devoted queen. Rebellious, revolutionary and revered, each took on the system in her own way. For a brief introduction, let’s begin by turning back the clock to ancient Rome…

Night: Quick Bite

Daylight is waning here at Museum Quick Bites so today we’re embracing the darkness and taking a closer look at Raffaelle Monti’s, Night (1862). On display at the Detroit Institute of Arts, this lovely sculpture features a veiled, windswept woman floating above a sleeping baby.

Sacrifice: Quick Bite

Today on Museum Quick Bites we’re taking a closer look at a Biblical bargain. Jephthah’s Daughter (1874) by Chauncey Bradley Ives is a stunning sculpture depicting a young woman’s grief upon learning she will be sacrificed (spoiler alert!)…by her father. With head downcast, a tambourine grasped loosely in one hand, she contemplates her tragic fate.

The Avenger: Quick Bite

Today on Museum Quick Bites we’re taking a closer look at Ernst Barlach’s, The Avenger (1922), a bronzed beauty that bristles with intensity. Bent at the hip and balancing on one foot with a sword clasped in his hands, The Avenger lunges toward an unseen foe. His flowy robes resemble those of a whirling dervish. If it wasn’t for the sword, The Avenger would appear to be skating or executing a tricky yoga pose. Aside from his pursed lips, his expression appears blank. Is he numb to the task?

Mom: Quick Bite

Mother’s Day is on the horizon and today on Museum Quick Bites we’re celebrating moms with a look at George de Forest Brush’s Mother and Child (c1897-1900). With rosy cheeks and wispy curls framing their faces, this adorable pair is timeless.

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