Today on Museum Quick Bites we’re finally leaving 2020 behind and crossing over into a hopefully happier, sunnier new year. To celebrate, we’re taking a closer look at Claude Monet’s Waterloo Bridge, Sunlight Effect (1903).
Happy Friday! Today on Museum Bites we’re slipping and sliding into winter with a look at the history of ice skates. From ancient waterways to the Olympic Games, ice skates have played a fundamental role in our transportation, recreation, and sports. Join me for a brief twirl around the rink and learn how the ice skate was transformed from a humble pair of bones to hi-tech blades. We begin by dialing the clock back to the Bronze Age…
Today on Museum Bites we’re taking a closer look at some badass women. This colorful cast includes a champion of women’s health, a defiant ruler, and a steadfast and devoted queen. Rebellious, revolutionary and revered, each took on the system in her own way. For a brief introduction, let’s begin by turning back the clock to ancient Rome…
Daylight is waning here at Museum Quick Bites so today we’re embracing the darkness and taking a closer look at Raffaelle Monti’s, Night (1862). On display at the Detroit Institute of Arts, this lovely sculpture features a veiled, windswept woman floating above a sleeping baby.
Today on Museum Quick Bites we’re taking a closer look at a Biblical bargain. Jephthah’s Daughter (1874) by Chauncey Bradley Ives is a stunning sculpture depicting a young woman’s grief upon learning she will be sacrificed (spoiler alert!)…by her father. With head downcast, a tambourine grasped loosely in one hand, she contemplates her tragic fate.
Today on Museum Quick Bites we're heading back into the great outdoors. Please enjoy this Reboot of Comfort Outside originally posted on April 3, 2020.
Today on Museum Quick Bites we’re indulging in some forest bathing with a deep dive into Herman Herzog’s, Sketching on Beaver’s Creek (c1880-1885).
Today on Museum Quick Bites we’re taking a closer look at Ernst Barlach’s, The Avenger (1922), a bronzed beauty that bristles with intensity. Bent at the hip and balancing on one foot with a sword clasped in his hands, The Avenger lunges toward an unseen foe. His flowy robes resemble those of a whirling dervish. If it wasn’t for the sword, The Avenger would appear to be skating or executing a tricky yoga pose. Aside from his pursed lips, his expression appears blank. Is he numb to the task?
Mother’s Day is on the horizon and today on Museum Quick Bites we’re celebrating moms with a look at George de Forest Brush’s Mother and Child (c1897-1900). With rosy cheeks and wispy curls framing their faces, this adorable pair is timeless.
Dear Readers –Today on Museum Quick Bites, we’re continuing to seek out comfort, this time through dance. Bacchante with Infant Faun (1894) by Frederick W. MacMonnies (1863-1937) features a young woman kicking up her heels in a lively dance. She is a bacchante, a follower of Bacchus, the Roman god of wine, symbolized by the grapes clutched in her right hand. A baby faun, a mythical creature that is half human and half goat, is cradled in her left arm. The infant stares hungrily at the grapes, unfazed by the bacchante’s exuberance. Together, the two are a blend of joy and yearning.