Today on Museum Bites we’re keeping it simple and taking a closer look at an art museum staple, the seemingly blank canvas. No battle scenes, fruit bowls or moody portraits here. Instead, these paintings are saturated in color. Seen gracing the walls of art museums—typically the modern art wing—all over the world these unadorned canvases often prompt some head scratching. What is the meaning behind this art? How can a painting featuring just one color be considered art? So today, I thought we’d nibble on these issues by sampling a collection of canvases I’ve come across on my travels. But first, let’s take a spin on the color wheel…
The wild and vivid paintings sent shockwaves through the art world. These Anonymous Society upstarts were deemed a sloppy and crude bunch.
Helen of Troy’s launched a thousand ships and 007’s masked his tricks. Elphaba’s was green and Mr. T’s was often mean. Today on Museum Bites we’re settling in for some face time.
Imelda Marcos’s were maligned, Michael Jordan’s were initially fined, and a scullery maid turned princess famously left one behind. Today on Museum Bites were kicking up our heels in honor of shoes.
When I first stumbled across the Vajen-Bader Smoke Protector, I initially thought it was a prop from Dr. Who or Star Wars. This bizarre looking hood was created in the 1890s by hardware salesman, Willis Vajen and piano maker, William Bader to prevent the inhalation of smoke and toxic fumes.
Less glitzy than cousins gold and silver, good old third place bronze could be relied on to get the job done.